|
| 2010 |
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Nathan Bernstein & Co., New York, NY "Reflection" |
| 2009 |
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JGM Galerie, Paris, France "Artificial Paradise" Story by AM Homes |
| 2009 |
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Like the Flickering of a Candle. Locks Gallery, Philadelphia, PA. Essay by Carter Ratcliff |
| 2008 |
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DESSINS New York 2008, Collection Guerlain , 2008 |
| 2005 |
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GLASS,SERIOUSLY Dorsky Gallery Curatorial Programs, L.I.C. NY 2005 curated by Lilly Wei Collection Guerlain: Dessins, New York |
| 2005 |
|
Die Obere Halfte, Stadtische Museen, Heilbronn, Germany, Editions Braus |
| 2005 |
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High Drama: Eugene Berman and the Legacy of the Melancholic Sublime by Michael Duncan, The Marion Koogler McNay Art Museum, San Antonio, Texas, Hudson Hills Press, NY and Manchester |
| 2003 |
|
On the Wall: Contemporary Wallpaper, co-published by The Fabric Workshop and Museum and The Museum of Art, Rhode Island School of Design, Providence |
| 2002 |
|
La Collection du Frac des Pays de la Loire 2002, Ministere de la Culture et de la Communication, France |
| 2002 |
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Le Corps du Livre, Carre d’Art Bibliothèque, Nimes, France |
| 2002 |
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Rob Wynne: “afterglow,” text by Francis Naumann and David Rimanelli, Galerie Oliver Schweden, Munich, Germany |
| 2002 |
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Le Jardin Complice de l’Art, text by Sydney Picasso, curated by Daniel Sciora, Fondation d’Art Contemporain Daniel et Florence Guerlain, Les Mesnuls, France |
| 1997 |
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Apocalyptic Wallpaper, Donna De Salvo, Annetta Massie, essay by Gil Saunders, Wexner Center for the Arts, Ohio State University, Columbus |
| 1997 |
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L’Art à la Page, Chateau Musée Gagnes-Sur-Mer, France |
| 1997 |
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Livres d’Artistes de “Collectif Generation,” Center for Book Arts, New York |
| 1997 |
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The Unique Print: 70s into 90s, Clifford Ackley, Boston Museum of Fine Arts, Boston, Massachusetts |
| 1986 |
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About Place: Contemporary American Landscape, Edward Leffingwell, PS1 Museum, Long Island City, New York |
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